CQUniversity Unit Profile
MUSC12415 History of Jazz: Freedom to Fusion
History of Jazz: Freedom to Fusion
All details in this unit profile for MUSC12415 have been officially approved by CQUniversity and represent a learning partnership between the University and you (our student).
The information will not be changed unless absolutely necessary and any change will be clearly indicated by an approved correction included in the profile.
General Information

Overview

This unit introduces you to the historical and cultural developments of jazz music, from the slave fields of the Mississippi Delta to jazz-rock fusion of the 1970s. It focuses on prominent musicians, composers and repertoire as well as the major sociological and political events that influenced musical trends in jazz from its origins to the present day.

Details

Career Level: Undergraduate
Unit Level: Level 2
Credit Points: 6
Student Contribution Band: 8
Fraction of Full-Time Student Load: 0.125

Pre-requisites or Co-requisites

For entry into this unit, you must have completed 36 credit points in this course.

Important note: Students enrolled in a subsequent unit who failed their pre-requisite unit, should drop the subsequent unit before the census date or within 10 working days of Fail grade notification. Students who do not drop the unit in this timeframe cannot later drop the unit without academic and financial liability. See details in the Assessment Policy and Procedure (Higher Education Coursework).

Offerings For Term 1 - 2022

Mackay
Online

Attendance Requirements

All on-campus students are expected to attend scheduled classes – in some units, these classes are identified as a mandatory (pass/fail) component and attendance is compulsory. International students, on a student visa, must maintain a full time study load and meet both attendance and academic progress requirements in each study period (satisfactory attendance for International students is defined as maintaining at least an 80% attendance record).

Class and Assessment Overview

Recommended Student Time Commitment

Each 6-credit Undergraduate unit at CQUniversity requires an overall time commitment of an average of 12.5 hours of study per week, making a total of 150 hours for the unit.

Class Timetable

Bundaberg, Cairns, Emerald, Gladstone, Mackay, Rockhampton, Townsville
Adelaide, Brisbane, Melbourne, Perth, Sydney

Assessment Overview

1. Written Assessment
Weighting: 30%
2. Written Assessment
Weighting: 30%
3. In-class Test(s)
Weighting: 40%

Assessment Grading

This is a graded unit: your overall grade will be calculated from the marks or grades for each assessment task, based on the relative weightings shown in the table above. You must obtain an overall mark for the unit of at least 50%, or an overall grade of ‘pass’ in order to pass the unit. If any ‘pass/fail’ tasks are shown in the table above they must also be completed successfully (‘pass’ grade). You must also meet any minimum mark requirements specified for a particular assessment task, as detailed in the ‘assessment task’ section (note that in some instances, the minimum mark for a task may be greater than 50%). Consult the University’s Grades and Results Policy for more details of interim results and final grades.

Unit Learning Outcomes
On successful completion of this unit, you will be able to:
  1. Analyse the important musical, structural and aural characteristics of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s
  2. Explore the contribution of significant musicians and composers to the development of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s
  3. Contextualise the principal stylistic trends of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s within the important social and political movements of this period.
Alignment of Learning Outcomes, Assessment and Graduate Attributes
N/A Level
Introductory Level
Intermediate Level
Graduate Level
Professional Level
Advanced Level

Alignment of Assessment Tasks to Learning Outcomes

Assessment Tasks Learning Outcomes
1 2 3
1 - Written Assessment - 30%
2 - Written Assessment - 30%
3 - In-class Test(s) - 40%

Alignment of Graduate Attributes to Learning Outcomes

Graduate Attributes Learning Outcomes
1 2 3
1 - Communication
2 - Problem Solving
3 - Critical Thinking
4 - Information Literacy
5 - Team Work
6 - Information Technology Competence
7 - Cross Cultural Competence
8 - Ethical practice
9 - Social Innovation
10 - Aboriginal and Torres Strait Islander Cultures

Alignment of Assessment Tasks to Graduate Attributes

Assessment Tasks Graduate Attributes
1 2 3 4 5 6 7 8 9 10
1 - Written Assessment - 30%
2 - Written Assessment - 30%
3 - In-class Test(s) - 40%
Textbooks and Resources

Textbooks

There are no required textbooks.

IT Resources

You will need access to the following IT resources:
  • CQUniversity Student Email
  • Internet
  • Unit Website (Moodle)
Referencing Style

All submissions for this unit must use the referencing style: American Psychological Association 7th Edition (APA 7th edition)

For further information, see the Assessment Tasks.

Teaching Contacts
Jason Smyth-Tomkins Unit Coordinator
j.smyth-tomkins@cqu.edu.au
Schedule
Week 1 Begin Date: 07 Mar 2022

Module/Topic

Introduction to Jazz History & Elements of Jazz

Chapter

Chapter 1, 2 & 3

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA

Events and Submissions/Topic

Week 2 Begin Date: 14 Mar 2022

Module/Topic

Pre-Jazz History & Origins of Jazz

Chapter

Chapter 4

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA.

Events and Submissions/Topic

Week 3 Begin Date: 21 Mar 2022

Module/Topic

New Orleans & Early Jazz

Chapter

Chapter 5

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA.

Events and Submissions/Topic

Week 4 Begin Date: 28 Mar 2022

Module/Topic

The Swing Era

Chapter

Chapter 6 - 8

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA.

Events and Submissions/Topic

Week 5 Begin Date: 04 Apr 2022

Module/Topic

The Bebop Revolution

Chapter

Chapter 9

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA.

Events and Submissions/Topic

Vacation Week Begin Date: 11 Apr 2022

Module/Topic

Chapter

Events and Submissions/Topic

Week 6 Begin Date: 18 Apr 2022

Module/Topic

The Birth of the Cool

Chapter

Chapter 10

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA.

Events and Submissions/Topic

The Count and the Duke Due: Week 6 Friday (22 Apr 2022) 11:45 pm AEST
Week 7 Begin Date: 25 Apr 2022

Module/Topic

The Hard Bop Academy

Chapter

Chapter 11

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA.

Events and Submissions/Topic

Week 8 Begin Date: 02 May 2022

Module/Topic

Transitional Geniuses: Miles & Trane

Chapter

Chapter 12 & 13

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA.

Events and Submissions/Topic

Week 9 Begin Date: 09 May 2022

Module/Topic

Latin Jazz

Chapter

See Moodle site.

Events and Submissions/Topic

Week 10 Begin Date: 16 May 2022

Module/Topic

Free Jazz

Chapter

Chapter 14

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA.

Events and Submissions/Topic

Week 11 Begin Date: 23 May 2022

Module/Topic

Jazz-Rock Fusion

Chapter

Chapter 15 & 16

Gridley, M. (2011). Jazz styles history and analysis. Upper Saddle River, NJ: USA.

Events and Submissions/Topic

The Genius of Miles Davis Due: Week 11 Friday (27 May 2022) 11:45 pm AEST
Week 12 Begin Date: 30 May 2022

Module/Topic

Revision

Chapter

Events and Submissions/Topic

Review/Exam Week Begin Date: 06 Jun 2022

Module/Topic

Chapter

Events and Submissions/Topic

History and Listening Test Due: Review/Exam Week Monday (6 June 2022) 11:45 pm AEST
Exam Week Begin Date: 13 Jun 2022

Module/Topic

Chapter

Events and Submissions/Topic

Term Specific Information

The textbook for this unit is Jazz Styles History and Analysis (11th Edition) by Mark Gridley. There are a number of copies available in the CQUniversity Library. While this unit is designed around the 11th Edition, using an earlier edition will not be of any detriment. You can request a copy of the book here (https://cqu-primo.hosted.exlibrisgroup.com/permalink/f/1b6hlp4/61CQU_Alma2124750870003441).

Assessment Tasks

1 Written Assessment

Assessment Title
The Count and the Duke

Task Description

For this assessment task you are required to write a 2000 word* written assignment. In completing this task, choose one of the following topics.

Topic 1
The Count Basie Orchestra were very influential in defining the rhythm section sound. Discuss the individual members of the All-American Rhythm Section (Count Basie, Freddie Green, Walter Page and Papa Joe Jones) and the contribution each of these musicians made to the development of the big band rhythm section. Provide appropriate score samples and URL's for audio excerpts to support your research.

Topic 2
The Duke Ellington Orchestra is one the most important bands in the history of jazz. Discuss the significance of this group, focusing on three (3) key musicians* of the ensemble and their contribution. Include a brief biographical introduction to Duke Ellington and an in-depth discussion of the four (4) periods** of his compositional and arranging practices. Provide appropriate score samples and URL's for audio excerpts to support your research.

* Other than Duke Ellington, discuss the contribution of 3 key players from this list: Cootie Williams, Barney Bigard, Johnny Hodges, Ben Webster, Harry Carney, Cat Anderson, Juan Tizol, Joe "Tricky Sam" Nanton or Jimmy Blanton.
** The four periods of Ellington's compositional history you must discuss are: "Jungle Sounds Era", "Mood Era, "Concerto Era" and the "Blanton-Webster Era".

Assignment presentation:• Include your name, student number and chosen topic
• Must use 12 point Times New Roman font
• Must use 1.5 spacing for the body of the assignment
• You may use sub-headings to organise your assignment clearly
• You may refer to Youtube clips to demonstrate aspects of your discussion and reference appropriately
• Include in-text references
• Include a comprehensive reference list, adhering to the CQUniversity APA Style Guide
• All excerpts from URLs for music scores or recorded audio/video examples should include an in-text reference, and full details included in the reference list.
• Submit Microsoft Word (.docx) documents only.

*The word count is considered from the first word of the introduction to the last word of the conclusion. It excludes the cover page, abstract, contents page, reference page and appendices. It includes in-text references and direct quotations.


Assessment Due Date

Week 6 Friday (22 Apr 2022) 11:45 pm AEST


Return Date to Students

Week 8 Friday (6 May 2022)


Weighting
30%

Assessment Criteria

  • Appropriateness of introduction & conclusion - 10%
  • Quality of structure and organisation of sections - 10%
  • Relevance of content - 20%
  • Ability to write in a clear and coherent manner - 20%
  • Accuracy of spelling, vocabulary and grammatical structure - 20%
  • Depth of research and evidence of wide reading - 10%
  • Accuracy of reference list and in-text referencing - 10%


Referencing Style

Submission
Online

Submission Instructions
See unit Moodle site.

Learning Outcomes Assessed
  • Analyse the important musical, structural and aural characteristics of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s
  • Explore the contribution of significant musicians and composers to the development of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s
  • Contextualise the principal stylistic trends of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s within the important social and political movements of this period.


Graduate Attributes
  • Communication
  • Critical Thinking
  • Information Literacy

2 Written Assessment

Assessment Title
The Genius of Miles Davis

Task Description

For this assessment task you are required to write a 2500 word* written assignment.

Topic:
Miles Davis (or groups led by Davis) recorded several albums that stand out in the history of jazz as ‘seminal recordings’. Three such albums are acknowledged as pioneering developments of new jazz sub-styles and are heralded as some of the most influential jazz recordings ever produced.

  • Cool Jazz: ‘Birth of the Cool’ ushered in a transition towards a bebop influenced, yet ‘cool’ sounding jazz.
  • Modal Jazz: ‘Kind of Blue’ steered jazz away from the frenetic sounds of bebop and complex chord progressions, towards a simpler, modal based music.
  • Fusion: ‘Bitches Brew’ was a full-blown announcement that jazz had moved in the direction of technologically manipulated music, fusing jazz elements with rock instrumentation, among other things.

Choose one (1) sub-style from those provided (above) and discuss the significance of this recording by providing the following:

  • A brief biographical introduction to Miles Davis
  • A historic overview of the chosen sub-style (Cool Jazz, Modal Jazz or Fusion), including an analysis of the musical, social and political influences
  • A summary of the performance practises associated with the chosen sub-style (instrumentation, size of ensemble, common performance elements etc.)
  • Background information on the associated album (Birth of the Cool, Kind of Blue or Bitches Brew). Such information may include the recording process, composer/arranger information and any important contributions from artists who recorded on the album
  • Using an original recording from Youtube, provide a musical analysis of the individual song associated with each recording in a timestamp/musical description format. The recordings are (Birth of the Cool: Boplicity, Kind of Blue: So What, Bitches Brew: Pharaoh’s Dance).

Assignment presentation:

  • Title page with your name, student number, due date and chosen topic
  • Must use 12 point Times New Roman font
  • Must use 1.5 spacing for the body of the assignment
  • You may use sub-headings to organise your assignment clearly
  • You must refer to Youtube clips to demonstrate aspects of your discussion and reference these appropriately
  • Include in-text references
  • Include a comprehensive reference list, adhering to the CQUniversity APA Style Guide
  • All excerpts from URLs for music scores or recorded audio/video examples should include an in-text reference, and full details included in the reference list.
  • Submit Microsoft Word (.docx) documents only.

*The word count is considered from the first word of the introduction to the last word of the conclusion. It excludes the cover page, abstract, contents page, reference page and appendices. It includes in-text references and direct quotations.


Assessment Due Date

Week 11 Friday (27 May 2022) 11:45 pm AEST


Return Date to Students

Review/Exam Week Friday (10 June 2022)


Weighting
30%

Assessment Criteria

  • Appropriate introduction and conclusion - 5%
  • Accuracy of biographical history of the artist - 15%
  • Precise and relevant account of the development of the musical sub-style and identification of contributing social and political influences - 10%
  • Accuracy in the identification and discussion of the sub-style specific performance practises - 15%
  • Accuracy and depth of research of the chosen album and associated artists - 15%
  • Accuracy of musical analysis of the chosen recording - 15%
  • Grammatical accuracy, punctuation, spelling and general presentation - 10%
  • Correct use of academic referencing conventions - 10%
  • Evidence of wide reading - 5%


Referencing Style

Submission
Online

Submission Instructions
See unit Moodle site.

Learning Outcomes Assessed
  • Analyse the important musical, structural and aural characteristics of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s
  • Explore the contribution of significant musicians and composers to the development of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s
  • Contextualise the principal stylistic trends of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s within the important social and political movements of this period.


Graduate Attributes
  • Communication
  • Critical Thinking
  • Information Literacy

3 In-class Test(s)

Assessment Title
History and Listening Test

Task Description

You will undertake a history and listening test based on the unit materials presented on the Moodle site during the term. The test will consist of the identification of works from a listening list and will contain short answer responses related to the history of the artists and musical periods studied.


Assessment Due Date

Review/Exam Week Monday (6 June 2022) 11:45 pm AEST

Exact details of the time and day of this assessment will be communicated to all students via the Unit Coordinator.


Return Date to Students

End of term.


Weighting
40%

Assessment Criteria

Students are assessed on the accuracy of their responses to questions presented in the in-class test. This assessment item tests students' knowledge of influential artists of this period, aural awareness of artists and ensembles, historical, musical and stylistic characteristics and major historical events (musical and non-musical) of this period.


Referencing Style

Submission
Online

Submission Instructions
See unit Moodle site.

Learning Outcomes Assessed
  • Analyse the important musical, structural and aural characteristics of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s
  • Explore the contribution of significant musicians and composers to the development of jazz music from the slave fields of the Mississippi Delta to the jazz-rock fusion of the 1970s


Graduate Attributes
  • Communication
  • Critical Thinking
  • Information Literacy

Academic Integrity Statement

As a CQUniversity student you are expected to act honestly in all aspects of your academic work.

Any assessable work undertaken or submitted for review or assessment must be your own work. Assessable work is any type of work you do to meet the assessment requirements in the unit, including draft work submitted for review and feedback and final work to be assessed.

When you use the ideas, words or data of others in your assessment, you must thoroughly and clearly acknowledge the source of this information by using the correct referencing style for your unit. Using others’ work without proper acknowledgement may be considered a form of intellectual dishonesty.

Participating honestly, respectfully, responsibly, and fairly in your university study ensures the CQUniversity qualification you earn will be valued as a true indication of your individual academic achievement and will continue to receive the respect and recognition it deserves.

As a student, you are responsible for reading and following CQUniversity’s policies, including the Student Academic Integrity Policy and Procedure. This policy sets out CQUniversity’s expectations of you to act with integrity, examples of academic integrity breaches to avoid, the processes used to address alleged breaches of academic integrity, and potential penalties.

What is a breach of academic integrity?

A breach of academic integrity includes but is not limited to plagiarism, self-plagiarism, collusion, cheating, contract cheating, and academic misconduct. The Student Academic Integrity Policy and Procedure defines what these terms mean and gives examples.

Why is academic integrity important?

A breach of academic integrity may result in one or more penalties, including suspension or even expulsion from the University. It can also have negative implications for student visas and future enrolment at CQUniversity or elsewhere. Students who engage in contract cheating also risk being blackmailed by contract cheating services.

Where can I get assistance?

For academic advice and guidance, the Academic Learning Centre (ALC) can support you in becoming confident in completing assessments with integrity and of high standard.

What can you do to act with integrity?